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{ "item_title" : "The Vault", "item_author" : [" Raphael A. Stone "], "item_description" : "She wrote every one of the songs. For nineteen years she did not own the recordings. In 2019 the masters of Taylor Swift's first six albums were sold without her, and she said so the same day. She answered by recording the albums again, one at a time, and in 2025 she bought the originals back. The Vault follows that story the only way it can be followed: song by song. Every track from Taylor Swift (2006) to Lover (2019) gets the same treatment. Who wrote it, who played on it, where it was made, what it says, how it is built, and what became of the recording when the contract changed hands. The re-recorded versions and the vault tracks sit beside the originals. Where the sources disagree, each account is given and none is forced. No lyric is quoted. No private life is guessed at. The question throughout is the one the title asks: who owns the story. A critical study in the tradition of Ian MacDonald's Revolution in the Head. 362 pages. Volume I of two. An independent critical and historical work. Not authorised, sponsored or endorsed by Taylor Swift or any associated entity.", "item_img_path" : "https://covers2.booksamillion.com/covers/bam/9/79/816/225/9798162259701_b.jpg", "price_data" : { "retail_price" : "19.99", "online_price" : "19.99", "our_price" : "19.99", "club_price" : "19.99", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
The Vault|Raphael A. Stone

The Vault : The Unauthorised Song-by-Song Study of Taylor Swift, Volume I (2006 to 2019)

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Overview

She wrote every one of the songs. For nineteen years she did not own the recordings.

In 2019 the masters of Taylor Swift's first six albums were sold without her, and she said so the same day. She answered by recording the albums again, one at a time, and in 2025 she bought the originals back. The Vault follows that story the only way it can be followed: song by song.

Every track from Taylor Swift (2006) to Lover (2019) gets the same treatment. Who wrote it, who played on it, where it was made, what it says, how it is built, and what became of the recording when the contract changed hands. The re-recorded versions and the vault tracks sit beside the originals. Where the sources disagree, each account is given and none is forced.

No lyric is quoted. No private life is guessed at. The question throughout is the one the title asks: who owns the story.

A critical study in the tradition of Ian MacDonald's Revolution in the Head. 362 pages. Volume I of two.

An independent critical and historical work. Not authorised, sponsored or endorsed by Taylor Swift or any associated entity.

This item is Non-Returnable

Details

  • ISBN-13: 9798162259701
  • ISBN-10: 9798162259701
  • Publisher: Independently Published
  • Publish Date: October 2026
  • Dimensions: 9 x 6 x 0.92 inches
  • Shipping Weight: 0.98 pounds
  • Page Count: 370

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