{ "item_title" : "At Wit's End", "item_author" : [" Alen Macweeney", "Michael Maslin", "Emma Allen "], "item_description" : "An exclusive sneak peek inside the creative minds of more than 50 New Yorker cartoonists, celebrating legends and newcomers alike with stunning photography and engaging profiles. For a century, The New Yorker has provided readers with hundreds of thousands of cartoons that humorously (and accurately) encapsulate the cultural happenings in our world. From politics to pop culture, New Yorker cartoonists have found a way to make complex topics digestible through lines, shades, and clever, witty captions. In honor of the magazine's 100th birthday, this celebratory collection captures the brilliantly quirky personalities behind some of The New Yorker's most iconic cartoons. Filled with striking portraits by world-renowned photographer Alen MacWeeney, captivating profiles by long-time New Yorker contributor Michael Maslin, and a sampling of each artist's work, these pages offer an exclusive peek inside the creative brains of over fifty prominent cartoonists, both seasoned and newly minted. From legends like Roz Chast and Jack Ziegler to contemporaries like Liana Finck and Jeremy Nguyen, this landmark volume is a beautiful homage to the artists who have long brought joy, humor, and satire to our lives.", "item_img_path" : "https://covers1.booksamillion.com/covers/bam/0/59/358/105/0593581059_b.jpg", "price_data" : { "retail_price" : "35.00", "online_price" : "35.00", "our_price" : "35.00", "club_price" : "35.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }

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Like the New Yorker cartoons of its subjects, At Wit's End: Cartoonists of the New Yorker is perfectly positioned at the intersection of funny and smart. This bible of modern cartooning comes in honor of the New Yorker’s 100th birthday, and features profiles by longtime contributor Michael Maslin, portraits by photographer Alen MacWeeney and, of course, a selection of single-panel cartoons from the 50-plus artists profiled. There have been cartoons in the New Yorker since it was founded, back when it was billed as a “comic weekly” in 1925, and so it’s unsurprising that the cartoons are the book’s strongest elements. A few are downright hilarious: In a Jason Adam Katzenstein drawing, a man says, “Let me interrupt your expertise with my confidence” to a woman across the table. Another highlight is Maslin’s own cartoon cowboy calling to his horse, who is perched in the branches of a tree, to “giddydown.” The photograph on the book’s cover shows Pulitzer-Prize winning cartoonist Barry Blitt, whose numerous New Yorker covers are legendary—the fist-bumping Obamas from 2008 is among the most memorable magazine covers of the 21st century. Blitt stands underneath a broken umbrella with a look of “What now?” annoyance that beautifully portrays MacWeeney’s skill at capturing humor in still images. This book is recommended for fans of the New Yorker, of course, but also fans of comedy and cartoons, and anyone interested in the ways that media evolves over time.