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{ "item_title" : "The Chinese Lyric Sequence", "item_author" : [" Joseph R. Allen "], "item_description" : "The approach of this study is essentially a form of structural, or perhaps constructural, semiotics; it examines what holds the literary text together in the face of its propensity to unravel. Specifically, it looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former. This is in no way a dismissal of indigenous, culturally intimate ways of knowing the works, nor is it a denial of the cross-current of contradiction and divergence that is always working against the form, always preventing a final interpretation. The aim of this study is to find a middle ground where this methodological cross-light will show the aesthetic whole, along with its inherent disruptions, as a construction that fits patterns of meaning that are culturally and historically bound, even if unstated: the Chinese lyric sequence.This is an important book for scholars studying Chinese literature, comparative literature, world literature, and poetry-painting.", "item_img_path" : "https://covers1.booksamillion.com/covers/bam/1/62/196/478/1621964787_b.jpg", "price_data" : { "retail_price" : "124.99", "online_price" : "124.99", "our_price" : "124.99", "club_price" : "124.99", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
The Chinese Lyric Sequence|Joseph R. Allen

The Chinese Lyric Sequence : Poems, Paintings, Anthologies

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Overview

The approach of this study is essentially a form of structural, or perhaps "constructural," semiotics; it examines what holds the literary text together in the face of its propensity to unravel. Specifically, it looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former. This is in no way a dismissal of indigenous, culturally intimate ways of knowing the works, nor is it a denial of the cross-current of contradiction and divergence that is always working against the form, always preventing a final interpretation. The aim of this study is to find a middle ground where this methodological cross-light will show the aesthetic whole, along with its inherent disruptions, as a construction that fits patterns of meaning that are culturally and historically bound, even if unstated: the Chinese lyric sequence.

This is an important book for scholars studying Chinese literature, comparative literature, world literature, and poetry-painting.

This item is Non-Returnable

Details

  • ISBN-13: 9781621964780
  • ISBN-10: 1621964787
  • Publisher: Cambria Press
  • Publish Date: March 2020
  • Dimensions: 9 x 6 x 1.06 inches
  • Shipping Weight: 1.7 pounds
  • Page Count: 412

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